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A medley of moral quandaries, the picture works as a simmering psychological thriller before steadily cooling into an intimate drama seasoned with piquant performances.
The film is an exhilarating, heady viewing experience if one gives in to its panoply of alternately familiar, disconcerting, and curious imagery.
The actor/writer/director’s trademark blend of cleverness, crassness, and earnestness finds great material in the wheeling, dealing, and bumbling of the modern Hollywood studio system.
The film explores how a collective of young artists created a living space within a Providence, Rhode Island, mall and how they were able to keep it hidden for four years.
Exploring a stilted, stifled society sheltered from a wider dystopian landscape, the film impresses with its dark humor, resonant intelligence, and emotional truth.
Cinephiles looking for a vintage dark drama of obsession and gaslighting may want to hoof it to Manhattan’s Film Forum — with the proviso that they should be prepared to be jolted by moments of madness and sadism.
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