Mr. Friedwald writes about music and popular culture for The New York Sun and…
If anyone deserves to be called a ‘jazz singer’ it was Tormé, who sang with a virtually unstoppable swinging energy, near-perfect pitch, and had better time than almost anyone.
The two have joined forces on one of the most remarkable releases of the year if not the decade, ‘Cat & the Hounds,’ which she has been launching this week with a five-night run at Birdland.
He spends most of the 75-minute show talking about himself, and it’s to his credit that he doesn’t come off as bragging when detailing so many triumphs in such a short amount of time.
A multi-talented young singer-instrumentalist, Bryce Edwards, in tandem with a brilliant trumpeter, Mike Davis, will be performing the music of the Hot Combination: Cliff Edwards and ‘Red’ Nichols.
Also of note: Audra McDonald turns a potential liability — the inherent moral and musical differences between the nature of her voice and that of the score — into an asset.
One of the more forward-thinking composers working in musical theater, Iconis’s performances are so meticulously organized and arranged that they might as well be full-scale theatrical works.
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